Charleston White, a prominent figure known for his outspoken views on street culture, recently made waves with his comments about rapper 50 Cent, asserting that the hip-hop mogul is “not a gangsta.” This assertion came in response to a video where 50 Cent gave a shoutout to White, a move that sparked a significant reaction from the controversial commentator.
In a candid discussion, White reflected on his relationship with 50 Cent, stating that the rapper, despite his wealth and fame, has distanced himself from the street life that once defined him. “Once you leave the streets and stay out for so long, you ain’t no street no more,” White remarked, emphasizing that any claim to street credibility diminishes with time away from that lifestyle. He underscored that 50 Cent, who has built a successful career far removed from his early years, no longer possesses the street instincts necessary to navigate the challenges associated with that life.
White also took the opportunity to address Big Meech, the notorious leader of the Black Mafia Family (BMF), suggesting that while Meech retains some connection to the streets, 50 Cent’s understanding of street dynamics pales in comparison. “He can’t understand what the going on,” White stated, indicating that Meech’s experiences in prison and his ties to street culture give him a deeper perspective than 50 Cent, who is now viewed as a businessman rather than a street hustler.
The conversation took a turn as White criticized the treatment of real gangsters upon their release from incarceration, lamenting how they are often marginalized in society despite their pasts. He expressed frustration over how the streets, now dominated by entertainment figures, have changed and how those like himself who have genuinely lived that life are often disrespected.
On the topic of Big Meech’s portrayal in the BMF series produced by 50 Cent, White suggested that Meech’s legacy might be compromised by associating with the rapper. He argued that Big Meech’s story should stand on its own merit and that he deserves to be celebrated without the overshadowing presence of 50 Cent. “Big Meech is a brand,” White noted, advocating for a narrative that honors Meech’s contributions without the interference of those who are not authentically part of that life.
White also commented on the recent interactions between Big Meech’s son, Lil Meech, and 50 Cent’s adversaries, suggesting that it is unwise for Lil Meech to align himself with figures who are at odds with his father’s legacy. He viewed this behavior as a sign of indecision and a lack of understanding of the weight of his father’s reputation.
In conclusion, Charleston White’s remarks about 50 Cent and Big Meech highlight a broader discussion about authenticity in the hip-hop industry and the complexities of street credibility in the era of entertainment. As the lines between business and street life continue to blur, White’s insights provide a critical perspective on the evolving dynamics of those who once lived the street life and those who merely profit from its stories.